NYT Article Takes Pulse of Web Video Scene

A great recent article in the New York Times titled "Night Life Reprogrammed" explores the nightlife and social scene that has sprouted up around the next-generation web industry that is newly emerging. Special emphasis is placed on web video companies and their interactions with the industry and the world at large. The article mentions a bunch of great internet video content and entertainment sites such as the following:

• Wine Library TV
• Video blogs like Downtown Diary and Pop17
• Digital media production company Dinosaur Diorama
• Online video entertainment pioneer Blip.tv
• Hip Hop video blog Ill Doctrine
• NY Video 2.0

For more companies like this, check out my 4-part series about digital media content sites "They Promised Us Convergence".

DIY Video in the Age of Digital Media

Howard Rheingold has been one pixel ahead of most people for decades now. His writings and thoughts about new media, grassroots communications and virtual communities must be digested by any serious student of the digital age. Howard and I worked together at Whole Earth Catalog in the early 90s. He's the guy who came running into the office waving a floppy disc above his head screaming, "You've gotta see this." It was the first Mosaic browser and it blew our minds.

Check out the video above from the 24-7 DIY Video Summit. You'll see an intro by Howard and some video of Henry Jenkins, author of Convergence Culture: Where Old and New Media Collide. Thanks to Ulrike Reinhard for the video.

The DIY Video Summit is described below in their own words:

"We are in the early stages of a fundamental transformation in how we create, share and view dynamic visual media. This transformation is enabling a new media ecology that can support widespread amateur video creation, and peer-to-peer and many-to-many distribution to audiences both large and small. Although it is clear that there is tremendous demand for user-generated and bottom-up forms of digital video, it remains unclear how best to support these creative projects, what the implications are for artistic practice and how to build bridges between old and new media."